"But even the Germanic gods and heroes are surrounded by this rebuffing immensity and enigmatic gloom. They are steeped in music and in night, for daylight gives visual bounds and therefore shapes bodily things. Night eliminates body; day, soul. Apollo and Athene have no souls. On Olympus rests the eternal light of the transparent southern day, and Apollo's hour is high noon, when the great Pan sleeps. But Valhalla is lightless, and even in the Eddas we can race that deep midnight of Faust's study-broodings, the midnight that is caught by Rembrandt's etchings and absorbs Beethoven's tone-colours. No Wotan or Baldur or Freya has 'Euclidean' form. Of them, as of the Vedic gods of India, it can be said that they suffer not 'any graven image or likeness whatsoever'; and this impossibility carries an implicit recognition that eternal space, and not the corporeal copy - which levels them down, desecrates them, denies them - is the supreme symbol. This is the deep-felt motive that underlies the iconoclastic storms in Islam and Byzantium (both, be it noted, of the seventh century), and the closely similar movement in our Protestant North. Was not Descartes' creation of the Anti-Euclidean analysis of space an iconoclasm?"
- Decline of the West.
Expect to see this quote in an upcoming piece, from one Joshua Carfax and myself exploring two of Spare's techniques (The Death Posture and Atavistic Resurgence), of which at least the introduction will be posted here. (It is highly likely that it will be published in a currently forth-coming 'zine, hence I'm not willing to put the whole thing online.) Ramblings on something that's important to me for mostly ego-based things also forthcoming.